April
24

As many of you may already know, the MusicIsMyBiz Blog also has a Facebook page.  In addition to alerts when there’s new blog post or article, I also interject some “Quick Thoughts of the Day”.  Some are inspirational.  Some are educational.  Some are simply probing questions to get you thinking.  I thought it would be fun to post these here on the blog as an archive of sorts.

February 2, 2010

Thought of the day: “Lack of preparation clouds your purpose.”

February 4, 2010

Self-Reflection Question of the Day: “What’s holding you back from reaching your full potential?”

February 13, 2010

Tip for the day: Remember to spend time honing your craft. Great production work doesn’t make up for bad playing or songwriting. A pig in a dress is still a pig!

February 23, 2010

Success is your own fault! You never grow until you learn to take responsibility for your successes and your failures.

March 5, 2010

While having “a good voice and a dream” is a starting point, make no mistake; the music business isn’t at all easy. What else you got?

March 18. 2010

Thought for the day: Never assume you have arrived. You can always strive to be better. The moment you stop pushing forward is the moment you appear to be moving backward to those who are committed to forging ahead!

March 26, 2010

Don’t be disappointed when someone declines your services because they “aren’t cheap”. This just means that their needs don’t match the value of your services. Your talent, expertise, and time are valuable!

April 15, 2010

Quick thought for the day: There’s a distinct difference between the roles of manager and booking agent. Your manager should understand the workings of the music industry. He should know where “the money” comes from in music, where it goes, and how to protect yourself. If he doesn’t, he shouldn’t be your manager.

April 16, 2010

Remember that anyone who has a vested interest in your success by helping you succeed will want a return on their investment. It’s only fair, and it’s how the music biz works. If someone helps you to succeed, then he shares in your success. He’ll also have incentive to work harder for you.

April 23, 2010

Quick thought for the day: If you’re thinking about “breaking into the biz”, learn as much as you can FIRST. You don’t become a doctor without going to med school. You don’t become an auto mechanic without learning how to work on cars. So, what makes someone think they can become a songwriter or artist without learning the craft AND business?

If you haven’t yet become a fan (now “like”), go ahead and do it now by going to www.facebook.com/MusicIsMyBiz!  Then tell all your Facebook friends.

Do you have any Quick Thoughts you’d like to share?  Post yours in in the comments section!

February
24

I was searching around the ‘net today for cool tools, and I found something that I never would have thought of, a web-based sequencer.  That’s exactly what I found in Soundation Studio.  The interface itself looks remarkably like a cross between GarageBand and Fruity Loops.  While it’s not quite as feature rich as those programs, it does boast a library of over 400 loops, three synthesizers, a drum machine, and 11 real-time effects.  Best of all, it’s completely free!

Users can mix loops and utilize track automation.  Once the mix is complete, simply bounce it down to a wave file.  One interesting feature is the ability to host your creations as an mp3 file online and direct your friends to a specific URL.  Also, you can embed your audio in much the same way you do with YouTube videos.

As a creation tool, Soundation Studio opens up worlds of opportunities.  Not only does it present musicians with a place to create from anywhere in the world, any time the muse strikes, but it’s also a great introduction to the world of sequencing and loops.  Soundation Studio could be used in the home or in the classroom.

Check it out.  Let us know your thoughts.  How could you use Soundation Studio?

January
25

Today marks two milestones.  First, I turn 30 today.  Second, it’s our 50th blog post!

I don’t really feel like I’m “in my thirties”.  Looking back, I did achieve one of my major goals of owning my own business and working for myself while still in my twenties.  I’m so blessed that I get to do what I love–making music–for a living (sometimes in my pajamas).  I like being able to say that I’m an author, musician, and an entrepreneur.  More than that, I love being able to help others down that same path with the MusicIsMyBiz blog, classes, seminars, and books.  Life is good.

So, this marks our 50th blog post!  It’s been my goal to create a place where aspiring musicians can go for information about the music business.  It’s a place where teachers and business owners can learn how to use audio to improve their productivity and achieve their goals.  It’s a place where churches and ministries can learn how go grow, improve, and protect themselves when it comes to music and multimedia.  If you use music or audio in day-to-day activities, then MusicIsMyBiz is designed for YOU.

It’s my desire that you succeed.  That’s why I’m unveiling our new book on MusicIsMyBiz.com on such a day as today.  If you’ve ever wanted to learn how to record and produce your own music, then I’ve put together the beginner’s guide, Recording Basics:  A Beginner’s Guide to Producing Music.  We’ll cover all the necessary information to get you started producing and recording music for yourself or for others.

  • Basic Acoustics
  • Digital Audio
  • Common Studio Equipment
  • Microphone Techniques
  • Recording Common Instruments
  • Microphone Types
  • Microphone Placement Techniques
  • Tracking a Live Band
  • Mixing Guidelines
  • Thinking Like a Producer
  • Chord Charts and Song Matrices
  • Musical Arranging
  • Audio Editing Principles
  • Introduction to the Mastering Process
  • Plus lots more…

As a bonus, you’ll receive the guide Home Recording Savvy:  Tricks to Tracking Great Sounds at Home.  Let’s face it, many times we can’t afford the luxury of a professional recording studio, especially when starting out.  However, that doesn’t mean you can’t get great sounds, even if you’re recording at home.  With this additional guide, you will learn great tips and techniques that you can apply in the home recording environment.

If you’re a budding songwriter who wants to make your own demos, or if you’re an aspiring producer who wants to work with other artists, then this book is for you.  Check it out.  If you don’t think the information you learn from reading this book helps to make your recording skills better, then let me know within 30 days, and I’ll give you a refund.  You’ve really got nothing to lose.

Recording Basics Ebook

Recording Basics Ebook

$19.95 Blog readers, receive a $5.00 DISCOUNT by entering the Discount Code MIMB.

Discount Code:

$14.95
Try it out, and let us know what you think.  We may even use your testimonial on our website, www.butlerproductionsmultimedia.com.  Now, on to the next decade…
July
15

Many students with reading disabilities benefit from written material being read aloud.  I have already talked about the advantages of short stories and novels being listened to individually or as a class on CD or tape.  Now we move on to a much easier task of having shorter tests and quizzes recorded on CD.

To review, when a students has a reading disability, the student should not suffer academically due to this disability.  Having a test played from a CD increases test validity and decreases stress on everyone’s part.  The CD can be easily paused when someone asks for more time on answering a question.

This CD can be used in many instances.  The first is the Exceptional Education teacher that must meet accommodations for students with disabilities.  The teacher prepares the CD ahead of time and then simply presses “play” while the students follow along with the paper copy on their desks.  This allows teachers to have a “clean read,” instead of worrying about their inflection during the reading of certain answers.  If you are using a CD, there is no way that a cough can turn into a “cue” for a correct answer!

Another way to use these CDs is in a Regular Education classroom.  Many times, the teacher does not have the staff available to take a student out of the classroom to read the test.  A student can use a CD player and headphones to complete the test, while the teacher meets this legal accommodation.  Even better would be to play the CD for the whole class.  Every classroom contains students that may struggle with reading.  Think of students with test anxiety.  Having the test read aloud may help a student choose answers more carefully and accurately.

The last way to use a CD like this is in the case of an absence.  Teachers hate to be absent and worry if their substitute is carrying out classroom duties appropriately.  If the sub is able to walk in, press “play,” and monitor student behavior, the test will have a better chance of being fair and accurate.  Also, in the case of a student absence, the student can use the CD player and headphones to complete the test, without having to pull more staff members to read the test individually.

As you can see, read aloud test and quizzes are much easier when recorded to CD.  Use software to record these at home or find a local recording studio that can complete a set of CDs for you for the school semester or year.

July
7

In a previous post, I discussed using recorded “read alouds” in the classroom to improve students’ reading comprehension.  In today’s post, I’d like to share another use for audio in the classroom.  This method will make your life MUCH easier and save your energy also!  Think of all of the transitions that you use in your classroom on a daily basis.  Your students come in the room and start working on seat work quietly.  You then give instructions and they move to a different activity, maybe centers or group work.  Then you need to get their attention to come back to their seats.  This sounds good on paper, but it requires a lot of attention-getting by way of the teacher talking, clapping, hollerin’, etc.  Imagine having students work through transitions with only the push of a button.

Musical cues are truly the way to go in a classroom.  Students enter the room to a song that promotes working and calmness.  As you introduce the lesson and give instructions, students hear upbeat music as they travel to their destination.  As students hear another cue, upbeat but different than the first, they know to travel to the next center.  Anytime they hear this cue, they travel to the next center.  When students hear the next cue of a quieter song, they return to their seats.  Each cue can be a different track on a CD.  Most CD players now come with remote controls, so you can change to another song from anywhere in your classroom

Other than saving your voice and energy, the best part about musical cues is that you can be creative with your music choices.  One of your cues could have tribal drum beats to get students eager for the upcoming unit on Africa.  Your cues can sound like popular music that they are listening to currently.  It only takes a few minutes to explain the cues to students and they will work for the whole year!

How do you go about making a cue CD?  GarageBand is a popular music production software that comes pre-loaded on Apple computers.  It is very easy to use and comes with lots of instrument loops and beats.  For Windows users, Sony’s Acid Music Studio is a comparable program.  Since there are legal issues with using commercial music, you can also contact local studios and have a custom CD made using royalty-free samplers.  There are royalty-free music sites on the internet which offer free downloads that you can also try, but be careful as you want to be sure they are legit.  Butler Productions offers a selection of royalty free music available for purchase and instant download.  They also have produced a CD of transition music for the classroom.

I hope that you will try a musical cue CD in your classroom.  After all, if it doesn’t work, you can go back to hollerin’!

July
1

Are recording studios the only place for acoustic treatments?

Yes.

No, really.  If the answer was “yes,” this would be a very short post!  One place that benefits from acoustic treatments, but is often overlooked, is a classroom.  Many classrooms have tile floors and hard surface walls (concrete block, etc.).  Classrooms have desks, with large flat hard tops, and podiums, with more large flat hard tops.  All of these surfaces are reflective.  More reflective surfaces magnify extraneous noise and make intended speech less distinguishable.  The presence of sound absorptive materials helps to alleviate these issues.

I personally became aware of the need for treatments in my room when I spoke from my podium one day… and my voice boomed back at me.  My voice came back to my face, NOT to my students’ faces (much less their ears)!  If you think about all of the lecturing and dropping of books on the floor, that’s a lots of noise to bounce around in a hard walled, flat surface filled room.  More than this, imagine how distracting these noises are to students, especially students with exceptionalities.  That sound my pen made when it hit the tile floor, resonates and is magnified in the classroom.  Some may not consciously notice it, but it may greatly interfere with some students’ learning environments.

While teachers can spruce up their rooms with table cloths, thick curtains, and rugs, these decorative items also help absorb the sound that’s bouncing around the room (and your students’ heads).  In many rooms, however, this is not enough.  In larger rooms, carpeting the entire room and adding treatments over bulletin boards to absorb sound, would help greatly.  The larger/thicker the absorptive material becomes, the more potential it has to deal with lower frequencies (while still helping out with higher ones).  Thick padded chairs work nicely for this.  Cylindrical “broadband” treatments (i.e. absorbing frequencies from low to high) for corners in addition decorative absorptive wall panels are also commercially available from companies like Auralex and Sonex, but there are great, inexpensive do-it-yourself options as well (just Google “DIY Acoustic Treatment”).

Imagine having a room that is filled with students learning and collaborating, instead of just booming noise.  Imagine if these treatments were used in larger areas of the school building, the cafeterias and the gyms.  Would it be easier to hear during awards ceremonies?  Would lunch be easier to digest when you don’t have a headache?

Yes.

June
24

No matter what classroom you walk into, there will be students who struggle with reading comprehension. In this post, I’ll share ways to use audio to measure comprehension more accurately.

First we must tackle the big question: “If the student is always read to, how will he learn to read on his own?” The answer is easy. “Learning to read” and “comprehension” are two different things. When a student learns to read, the student identifies letters, then letter sounds, and finally strings them together to make words. Eventually, the student uses memorization to read sight words and uses pronunciation rules to read complex words. Reading comprehension, however, is a different skill. Obviously, a student needs to comprehend, or show a basic understanding, of the topic presented.

A huge majority of students in today’s classrooms are auditory learners. This is my first reason for using audio in the classroom. My second reason is that students that struggle with reading do NOT need that hindering their acquisition of a topic. If a student needs to read a passage on the effects of global warming and answer questions about the topic, why should a reading deficit keep this student from answering questions about a scientific topic? A student should be able to answer questions, whether or not he gets tripped up on complicated words.

Read Alouds in the English/Language Arts Classroom

The first place that most teachers would use audio for read alouds is in the English/Language Arts classroom. Many Literature textbooks come packaged with tapes or CDs of the poems and short stories included in the book. These are valuable tools in the classroom. Having students read aloud has always been used to keep students on track, but has since served to embarrass many students and lose other students who can’t hear well. Playing the CDs in class allows for all students to be able to relax and follow along.

Many English/Language Arts classrooms also complete novel studies during the school year. CDs are also very beneficial in this case, especially if each chapter is a separate track. This allows teachers to pick up at the right place, and end the time a teacher spends rewinding to find the right place.

My favorite way to use read alouds in the classroom is with short stories in combination with quizzes. Students turn to the correct page and I hit “play” on the CD player. Students hear a very engaging voice begin reading through the short story. After a few paragraphs, a chime plays and the voice gives a short summary of what has just happened. The voice then prompts the students to look at the quiz on their desks. The voice then reads the first question, re-reads it, and waits for students to answer on their papers. A chime plays again, and students return to their place in the short story. This continues through the short story, while students complete a 10 question quiz. (Here are some read-alouds that I use in my classroom.)

In my experience, using this type of audio helps for many reasons. First, the students are listening to an engaging voice. Second, the short musical cues prompt students to pick up their pencils and answer the questions. Third, ample time was given for all students to answer. Finally, (my favorite reason), students did not have to remember 6 pages of text for 45 minutes (and possibly through a lunch break) before answering questions. This way, if a student did not understand what has just happened, the summary given was immediate. No students were confused through the whole story.

This type of quiz can be given to check for understanding of setting, characters, plot, or climax. It can also be used as a fun foreshadowing activity, where the CD explains what just happened and the student must answer what he thinks will happen next. Everyone loves a quiz with no right or wrong answers!

Furthermore, It goes without saying that using a recording in the classroom is ideal for when the teacher is out and a substitute is in charge. This allows the teacher to have control over what is covered during class, while the substitute can walk around and monitor behavior.

See my related post on Acoustic Treatment in the Classroom.

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