September
3

One of Butler Productions’ most popular services as part of our Audio Marketing Solutions program is Custom Jingle Production for Businesses.  Jingles are a great way to boost your bottom line.  However, most folks are confused about how our system works.

Here’s a jingle we did for a Honda dealership in New Jersey (keep in mind, we’re in Georgia)!

If you think a jingle is right for your business, keep reading.  I’ll explain how it all works.

The easiest way to get started is our Online Jingle Builder Form.  It’s simply a questionnaire that asks questions like:

  • What type of product or service are you marketing?
  • What is the age of your typical customer?
  • What music style identifies closely with your business and customers?
  • What is your slogan or catch phrase?

These are just a few, but questions like these take the guesswork out of crafting the perfect jingle for your business.  If a customer calls by phone, or if we visit the customer in person, we fill in the same questionnaire based on their answers.  Here’s what usually happens:

  1. If a customer wants to move forward with their jingle, they send us a $75 deposit, usually via PayPal.  We compile all of the information from the questionnaire to create lyrics.
  2. We then record a “rough proof” of the jingle with one or two instruments and a singer.  This phase allows the customer to hear our direction and make any corrections before we begin full production.
  3. Once the rough proof is approved, we begin full production.  During this process, we utilize the best musicians and singers for the job to create a miniature song.
  4. Once we’ve completed the jingle production, we email the customer a final proof, usually a watermarked, low-resolution mp3.  If any minor adjustments need to be made, they’re made and re-sent to the customer.  Usually the revisions are something minor, like a vocal tweak or lyric change.  We allow up to three minor revisions without any additional cost.
  5. The customer approves the production by sending the remaining balance.  We make all the various edits and release the full custom jingle package to the customer.

In most cases, we never have to meet face-to-face to create the perfect jingle for a business.  Sometimes, all the correspondence is done via email.  We like to think we’ve honed the process down to its simplest form.  If you’d like even more information about our jingles, check out our Jingle FAQ.  If you’d like to get started, visit our Jingle Builder today!

May
13

It’s time for a new Resource Roundup!  So many awesome apps, gizmos, and gadgets are hitting the market that appeal to musicians.  Here are a couple:

Accept Credit Cards at Gigs with your Smart Phone

Poised to revolutionize the way indie musicians do business, Square allows you to accept credit and debit cards right from your iPhone, iPod Touch, iPad, or Android.  Simply sign up for the service by downloading the app, and they send you a card swiper attachment that plugs into the audio input of your device.

Rock Out with your Pod Out…iPod, that is.

Being a guitarist, I’ve been waiting for an app that I can use to get great guitar tones on the road and on the fly. Enter iRig by AmpliTube. The app installs on your iPhone, iPad, or iPod touch. The modeling sounds great, the interface looks great, and it’s surprisingly intuitive. There’s a small guitar interface jack that plugs into your audio input, which costs around $40.  It’s not released yet, but you can preorder iRig from IK Multimedia’s website.

Guitar Toolkit

Agile Partners has released a killer iPhone app, Guitar Toolkit.  This one’s a definite must-have!  For about 10 bucks, the app boasts the following:

  • Tuner, complete with custom tunings
  • Metronome
  • Scale library
  • Chord Library
  • Chord Finder - you play the chord, Chord Finder tells you what it is
  • Supported instruments include 6- and 12-string guitar; 4-, 5-, and 6-string bass, banjo; mandolin, and ukulele
  • “Lefty Mode” for southpaw players

Have you found any cool tools recently?  Comment and let us know!

April
24

As many of you may already know, the MusicIsMyBiz Blog also has a Facebook page.  In addition to alerts when there’s new blog post or article, I also interject some “Quick Thoughts of the Day”.  Some are inspirational.  Some are educational.  Some are simply probing questions to get you thinking.  I thought it would be fun to post these here on the blog as an archive of sorts.

February 2, 2010

Thought of the day: “Lack of preparation clouds your purpose.”

February 4, 2010

Self-Reflection Question of the Day: “What’s holding you back from reaching your full potential?”

February 13, 2010

Tip for the day: Remember to spend time honing your craft. Great production work doesn’t make up for bad playing or songwriting. A pig in a dress is still a pig!

February 23, 2010

Success is your own fault! You never grow until you learn to take responsibility for your successes and your failures.

March 5, 2010

While having “a good voice and a dream” is a starting point, make no mistake; the music business isn’t at all easy. What else you got?

March 18. 2010

Thought for the day: Never assume you have arrived. You can always strive to be better. The moment you stop pushing forward is the moment you appear to be moving backward to those who are committed to forging ahead!

March 26, 2010

Don’t be disappointed when someone declines your services because they “aren’t cheap”. This just means that their needs don’t match the value of your services. Your talent, expertise, and time are valuable!

April 15, 2010

Quick thought for the day: There’s a distinct difference between the roles of manager and booking agent. Your manager should understand the workings of the music industry. He should know where “the money” comes from in music, where it goes, and how to protect yourself. If he doesn’t, he shouldn’t be your manager.

April 16, 2010

Remember that anyone who has a vested interest in your success by helping you succeed will want a return on their investment. It’s only fair, and it’s how the music biz works. If someone helps you to succeed, then he shares in your success. He’ll also have incentive to work harder for you.

April 23, 2010

Quick thought for the day: If you’re thinking about “breaking into the biz”, learn as much as you can FIRST. You don’t become a doctor without going to med school. You don’t become an auto mechanic without learning how to work on cars. So, what makes someone think they can become a songwriter or artist without learning the craft AND business?

If you haven’t yet become a fan (now “like”), go ahead and do it now by going to www.facebook.com/MusicIsMyBiz!  Then tell all your Facebook friends.

Do you have any Quick Thoughts you’d like to share?  Post yours in in the comments section!

March
29

This post is for business and musician alike.  While this post might not seem like something musicians may benefit from on the surface, the following information is something that everyone who is actively involved in selling themselves, their services, their products, or their business can learn from.  It’s important to keep in mind that, if you’re a musician, you’re also a small business.  You have to promote yourself just like any other business.

Businesses are often saddled with the task of having to market on little or no budget.  This is the case whether you’re just starting out, or if you’re already established.  Marketing is a necessity!

The video series below is designed to help you market your small business with YouTube videos, Jingles, and On-Hold Messages.

If you need help with marketing your business using Jingles or On Hold messages, or if you need a voiceover for your YouTube video, Butler Productions Multimedia can help!

Good luck promoting your business!

March
5

Here lately, I’ve been busy recording and consulting young bands, aspiring songwriters, and singers who are eager to “break into the music business”.  Besides being fairly talented, they all have one thing in common:  they all have absolutely NO idea how the music industry works.

As with most of us who make music for a living, many of them think their music is the greatest thing since sliced bread.  The problem lies that they’re then unwilling to take advice on how to make their music better (read: more competitive).  They wrote their “baby” in a moment of inspiration.  It’s gold.  That’s that.  This attitude is not only amateurish, but it’s childish as well.  Now, I’m not saying that much of their music isn’t good, but the music business is inundated with artists, bands, and songwriters who are “just good”.  To compete, you must be great.  Your music must be great.  Your image must be great.

Study! Before you decide to dive into the shark infested waters of the music biz, you have to know exactly what you’re getting into so you won’t get eaten alive.  Okay, I exaggerate a bit.  Just not much.  Before you expect to have any success in anything, be it business, science, technology, medicine, etc., you must understand your particular field inside and out.  That’s exactly why people seeking any particular career path go to college.  Education makes sure you’re at least somewhat prepared for entering your career.  Music is no different.

Know your rights. Learn how copyrights work and where your money comes from as a writer or artist.  Horror stories abound of bands and artists who were taken advantage of because they were ignorant of income opportunities, or, worse yet, they signed away those rights in shady contracts.

Educate yourself on contracts. Always consult an attorney before you sign anything, but at least help yourself by being familiar with contractual “norms” and how to read them.  Know that contracts are a give-and-take type of thing.  You likely wont get exactly what you want out of the deal, but know that the other party should be giving up certain things as well.  It’s all about compromise.

Be prepared for failure. Say this with me:  “No one owes me anything.”  One more time.  Good, now say it a thousand more times so that it sticks.  Chances are you will knock on a hundred proverbial doors before someone lets you in.  You may not even be let in.  Your demos WILL sit on someone’s desk (if they even make it to the desk) amid a sea of SeaDs CDs from other people.  They may not get listened to.  If someone likes your music, you may get a call (which could be months, or even years, down the road).  Just don’t expect them to call you back if they don’t like it.  They’re just too busy for that.  In the Music Biz, generally no news is bad news.

It ain’t about you. I could make you say this one a thousand times, too.  Unless you just rub someone the wrong way, a rejection is not personal.  It’s purely a business decision.  After all, we’re all participating in the music business, right?  There are scores of reasons why you may face rejection.  Your songwriting or singing skills may not be strong enough yet.  You may not fit their image.  They may already have artists on their roster that are just like you.  Once you start to work with music on a professional level, music ceases to be about art and becomes a commodity.  Your music and your image is solely used to make money for someone else.  Then, if they make money, you can reap some of the benefits of their success.  Just don’t make the mistake of thinking that “you’re gonna get yours before they get theirs.”  Remember, until you are making money for someone else, you have no leverage over them.

Talent can only carry you so far. You may be a fabulously talented singer or band, but if you don’t take responsibility for your own successes (or failures), then you can never expect to make it in the music industry.  Your manager can’t do it for you.  Your agent can’t do it for you.  Your label can’t do it for you.  All of these are avenues to help you succeed.  In fact, don’t even go to them first.  Learn to be successful without these other people, and your potential for greater success is much higher.  If you’re successful on your own, these people will take notice and come to you.  Then, if you feel they will help you to succeed further, make use of them.  Remember, those who help you succeed are seeking their own success as well.

I don’t say any of this to scare any of you away from the music business.  I am, on the other hand, saying it to scare some sense into you.  Educate yourself.  Prepare.  Take responsibility for your successes and failures.  While having “a good voice and a dream” is a good starting point, make no mistake; the music business isn’t at all easy.  What else you got?

February
18

Have you ever thought that giving your music away for free will help to actually increase sales?  It’s true.  On top of that, and perhaps more importantly, it will help to solidify fan loyalty.

In truth, no matter how hard we try to keep online music thieves from ripping our music, some persistent pirate is bound to find a way.  Whether by way of P2P filesharing, rips of streams, or YouTube videos, someone is going to find a way to get something for nothing.  Why not preempt them by offering music for free?

Free music adds value. It seems a bit counter-intuitive to think that giving something away will actually add value to your music, but it in fact does just that.  Primarily, it’s a gesture of good will to your fans.  It’s an outward sign that you care about your fans.  If you include other goodies, such as album art, and ID3 tags, then they’re actually getting a better (and safer) deal than from a P2P software.

Free music is a portal. It serves to bring potential customers, both new and previous buyers, to your site.  It helps to generate interest in or, at the very least, awareness of, your music.  Many a band encouraged piracy in the form of bootlegging in order to create a buzz about their music in their early years.

Limited-time freebies create a sense of urgency. By only offering portions of your catalog for a short window of opportunity, you’re creating urgency in the mind of your potential customers.  This can be a valuable tool for several reasons.  You can use it to create an awareness fast.  You can bring in an influx of visitors to your site, which is good coupled with other sales opportunities.

Here’s an example.  AfterEdmund, a surprisingly savvy yet incredibly talented Christian rock act, is working on their sophomore album.  To get a buzz going, for one week, they blasted their various social media network presences (Facebook, MySpace, Twitter, and YouTube) with details on a free download of one of the new singles.  After then, the offer disappeared.  Doing so not only helped to pull fans to their website, but it also built interest and anticipation for the new album.  These guys are a great study on self-marketing and -promotion.  Keep an eye out for MusicIsMyBiz’s interview with AfterEdmund, coming up soon.  In the meantime, check out their debut album, Hello.

Have you offered your music for free?  What were your results?  Comment and share your thoughts.

February
16

Anyone familiar with ProBlogger.net is familiar with Darren Rowse’s “Speedlinking”.  Every so often, he’ll post a collection of useful links.  Here’s the first one for MusicIsMyBiz.  I shall call it “Resource Round-Up”.

February
10

In our last post, I gave you the Secrets to NOT Getting Booked for a Gig.  Today I ran across a post on Bob Baker’s Music Promotion Blog that I would be completely remiss if I didn’t share with you all.

7 Ways to Destroy Your Music Career

It’s a humorous take on the practices that keep bands and musicians in failure mode.  Shamefully, I can say that I’ve been guilty of a few of these myself in the past.  I still struggle with a couple in particular.

How many of these have you been guilty of?

February
8

How NOT to get booked for a gigYou’ve seen the tips on how to get booked for a gig.  But I bet you haven’t seen the secrets of how to NOT get booked (or booked again) by a club or venue.  Here are seven sure-fire ways to ensure that you won’t get a call to perform:

1.)  Don’t give them a complete press kit. Venues and club owners want to know what they’re getting when they book you.  While CDs are a given, most venues would like to see a bio, press clips, or fact sheet.

2.)  Don’t put your contact info on everything. Press kits get misplaced and separated from CDs.  If the venue loves your music and wants to book you, but your contact info isn’t on your demo, then you can bet you won’t get the call back.

3.)  Don’t follow up. Club owners get busy.  After all, they do have a business to run.  If you don’t get called back after a reasonable time, it may not always be because they don’t like you.  They may not have gotten around to listening to the demo, or they may have forgotten to get in touch with you.  Out of sight, sometimes really is out of mind.  So not following up with leads may just make you lose that gig.

4.)  Don’t start on time. Fashionably late doesn’t exist when it comes to gigs.  Similarly, taking breaks that are too frequent or too long are deal-breakers.  Crowds get antsy.  Owners get antsy.  Keep them waiting, and you likely won’t get hired back.

5.)  Don’t fill the venue. Club owners really don’t care about your music.  They care about filling their establishment with PAYING patrons.  They want to sell enough food and drinks to cover your band and make a profit for the night.  Playing to an empty club definitely won’t get you hired again.

6.)  Don’t cater to the audience. Even though your adoring fans show up to support you, not everyone in the audience is there to see your band.  Some people just like the establishment.  Make that crowd react negatively with your music, volume, or antics, and you won’t play there again.

7.)  Advertise other gigs on nights that compete with the current venue. You’ve got a gig tomorrow night at a competing club across town?  Great!  Your fans need to know it, but do it discretely.  Announcing that gig on the microphone tells a club that you’re stealing their crowd.  That’s bad business.  Do it and you won’t be asked back.

What other tactics can you think of that ruin your chances of getting booked?

February
5

I often struggle with the balance between my Creative Brain and my Business Brain.  While one would think I gravitate to my creative side, there are times, like recently, when I find myself hanging out in business mode and generally being uncreative.  While trying to motivate myself, I ran across an article on the Music Biz Academy that I found quite interesting, The Creative You and the Business You.  While I don’t typically do link posts on the MusicIsMyBiz blog, I would like to pass this along to you guys.

You can view the blog here http://www.musicbizacademy.com/knab/articles/creativeyou.htm

Here are some related posts from the MusicIsMyBiz blog:

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